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Why Your Film Needs a Good Gaffer: Watch How Lighting Changes a Face | Filmmaker Magazine
Here’s a hypnotic video showing the importance of film lighting. Watch as this woman – yes, this is just one woman – finds her features altered…
19 Burning Questions for Sundance 2014 | Rolling Stone
Lost amid the snow, schmoozing and star-gazing of the Sundance Film Festival is the fact that it’s really about movies…
How a 1940s Gangster Film Foresaw the Surveillance Tech of Today
White Heat is a classic gangster film from 1949, starring James Cagney. It is a thoroughly Los Angeles flick, filmed almost exclusively in the Greater Los Angeles region, including scenes shot at Warner Brother Studios in Burbank. The film is considered a classic for many reasons—but what’s interesting in terms of Gizmodo is its depiction of, at the time, cutting-edge technologies that were adapted by the police to track down Cagney’s gang.
"Evil White Balance" Trick for Mogulween : Indy News
#DIYTuesday: Griffin Hammond shares a simple photographers’ trick for creating surreal background colors with a gel’d key light and custom white balance.
Sundance 2014: where every film begins with a queue
Lining up in crisp winter air is part of the Sundance experience, but film after film repays the wait…
Thom Powers Curates Distribution Advice for Filmmakers | Filmmaker Magazine
Toronto International Film Festival and Stranger than Fiction programmer Thom Powers is well known for his curation of documentary film, but with the New Year…
Screenwriting Advice from Filmmaker Sydney Freeland at Sundance 2014
We chatted with screenwriter-director Sidney Freeland about her 2014 Sundance hit film DRUNKTOWN’S FINEST. Courtesy of International Screenwriters’ Association.
Actress Nadine Velazquez Talks Career Growth, Sharon 1.2.3. and Much More - Living Out Loud LA
Actress Nadine Velazquez Talks Career Growth, Sharon 1.2.3. and Much More
Being our sophomore year since launching at SXSW in 2012, 2013 was truly a landmark year forJuntoBox Films. Our user base more than doubled, and the amount of project submissions we received is staggering.
We aimed to become more than just a digital platform and production company. We focused on becoming a resource for filmmakers, both on and offline. We hosted panels, networking events, parties, and initiated our original event series which we called Masterclass- focusing on a different subject each session. We produced our first two feature films: Sacrifice in the Summer and Sharon 1. 2. 3. toward the end of the year.
Take a look at the numbers. You’ll get the idea.